Captive State


Drab sci-fi drama in which, nine years after humanity surrendered the earth to invading aliens, a young Chicago man (Ashton Sanders) gets caught up in a conspiracy to rebel against them. He and the other plotters are tracked by a local police official (John Goodman) whose ultimate allegiance in the struggle is unclear. Director and co-writer Rupert Wyatt sets out to tell a thoughtful, complex story, and his film, which also features Jonathan Majors, Vera Farmiga and Colson Baker, aka rapper Machine Gun Kelly, does engage more interest as the interlocking elements of the planned uprising emerge. But the movie as a whole never quite gels, and the inclusion of some gritty settings and behavior makes this strictly adult fare. Considerable violence with some gore, torture, multiple suicides, glimpses of nonmarital sexual activity, cohabitation, a prostitution theme, a transvestite character, at least one profanity, a couple of rough terms, occasional crude language. A-III; PG-13



Top-notch but excessively bloody horror fantasy from writer-director Jordan Peele. A childhood encounter with an exact double of herself proves to be the far-off prelude to a California woman (Lupita Nyong’o), her husband (Winston Duke) and kids (Shahadi Wright Joseph and Evan Alex) being visited and terrorized by a malignant version of their family. The macabre replicas have emerged from the tunnels in which they dwell armed with scissors and intent on murder. There are frights aplenty in the struggle that follows as well as an allegory about economic inequality and perhaps slavery as well. Though clan closeness proves crucial to the outcome, the mayhem is too intense for a wide audience. Much graphic and gory violence, about a half-dozen uses of profanity, numerous rough and crude terms, mild sexual references. L; R



Lush but insubstantial live-action reimagining of the 1941 animated classic, set in 1919, in which the young elephant of the title becomes a pawn in a struggle to profit from the fact that his outsized ears enable him to fly. Out to protect him are a wounded and recently widowed World War I veteran (Colin Farrell), his two children (Nico Parker and Finley Hobbins) and the manager (Danny DeVito) of the circus for which he works. The owner (Michael Keaton) of a lavish amusement park has more devious ideas which are not necessarily shared by his amiable girlfriend (Eva Green). Director Tim Burton brings visual flair to screenwriter Ehren Kruger’s story but the impression it leaves is less than lasting while constant peril, the mistreatment of animals and several sad plot developments make this too challenging for little kids. Characters in danger, cruelty to animals. A-II; PG


Pure Flix

Hard-hitting, fact-based drama adapted from a memoir by Abby Johnson. During her rise to become one of the youngest Planned Parenthood clinic directors in the country, Johnson (Ashley Bratcher) gradually becomes uneasy about the organization’s marketing of abortion, a process of conversion that reaches a dramatic climax when she is asked to assist a doctor performing the procedure and witnesses via sonogram what it really involves. Her new stance is welcomed by her pro-life husband (Brooks Ryan) and parents (Robin DeMarco and Robert Thomason) as well as by some of the activists (Jared Lotz and Emma Elle Roberts) she once considered adversaries. But it infuriates her ornery former superior in the organization (Robia Scott) who becomes the moving force in a lawsuit against her. Written and directed by Chuck Konzelman and Cary Solomon, the film is effective but unsparing in its effort to convey the full horror of slaughtering the unborn. So the parents of older teens will have to decide whether the informative value of the story outweighs its disturbing content. Not for the casual moviegoer of any age. Gruesome images of abortion and dismembered fetuses, much medical gore, a mild oath, a few crass expressions, a vague sexual reference. A-III; R

USCCB Office for Film & Broadcasting


A-I – General patronage

A-II – Adults and adolescents

A-III – Adults

A-IV – Adults, with reservations

L – Limited adult audience

O – Morally offensive

Motion Picture Association of America ratings:

G – General audiences; all ages admitted

PG – Parental guidance suggested; some material may not be suitable for children

PG-13 – Parents are strongly cautioned to give special guidance for attendance of children under 13; some material may be inappropriate for young children

R – Restricted; under 17 requires accompanying parent or adult guardian

NC-17 – No one under 17 admitted